Performance Notes:
Instructions are on the score, but to clarify – the atmospheric ‘wind among the
reeds’ effects must be subtle and controlled, with well-observed dynamics. The
arrows clearly denote the exact stops and starts for this.
Portamenti need not be synchronised, but a mere ‘slide’ is to be avoided.
The piano opening (itself only mp) must not be overwhelmed by the choral ‘breeze’ effects.
At the very end, the choral sigh must be exactly on the arrow, and must not sound
exasperated!